NEW CONTINENT
VARIOUS ARTISTS - ONCE UPON A TIME...THE TARANTINO SOUND VOL.2. VARIOUS ARTISTS
Track List
1. The Revels - Comanche (1961) From Pulp Fiction
2. Duanne Eddy - Peter Gunn (1959) From The Adventures Of Cliff Booth
3. Chuck Berry - School Days (1957)
4. Johnny Cash - So Doggone Lonesome (1955)
5. Johnny Burnette - Rock Billy Boogie (1956) From My Best Friend's Birthday
6. The Shirelles - Baby It's You (1961) From Death Proof
7. William Bell - Formula Of Love (1961) From Death Proof
8. Connie Francis - Stupid Cupid (1958) From Inglourious Basterds
9. Ricky Nelson - Waitin' In School (1957) From Pulp Fiction
10. Bobby Short - Down In Mexico (1957) From Death Proof
11. Elvis Presley - Heartbreak Hotel (1956) From True Romance
12. Frank Sinatra - (Love Is) The Tender Trap (1955) From True Romance
13. The Tornadoes - The Gremmie (1962) From Desperado
14. Link Wray - Jack The Ripper (1962) From Desperado
15. Les Paul & Mary Ford - How High The Moon (1951) From Death Proof
16. Chris Farlowe - Air Travel (1962) From Kill Bill: Vol. 2
17. Bobby Freeman - Fever (1962) From Kill Bill: Vol. 2
18. Abbe Lane & Xavier Cugat - Malaguena Salerosa (1961) From Kill Bill: Vol. 2
19. The Ventures - Green Leaves Of Summer (1961) From Inglourious Basterds
20. Ennio Morricone/Peter Tevis - Pastures Of Plenty (1962) From Kill Bill: Vol. 2
21. Porter Wagoner - A Satisfied Mind (1957) From Kill Bill: Vol. 2
22. Esquivel - Sentimental Journey (1961) From Four Rooms
23. The Ventures - Spudnik [aka Surf Rider] (1962) From Pulp Fiction
A fantastic collection of 23 songs from Quentin Tarantino's films, pressed on 180g yellow vinyl.
Once Upon a Time...The Tarantino Sound Vol. 2 , following its homonymous Vol. 1, gathers 23 additional songs from the distinctive cinematic universe that defines Tarantino's style, from his earliest project, My Best Friend's Birthday (1987), to The Adventures of Cliff Booth (2026), for which he also contributed the script.
Music plays a vital role in the films of Quentin Tarantino. For him, songs are far more than background elements; they are essential storytelling tools. While preparing a film, he listens to countless tracks, using them to shape each scene's tone, rhythm, and emotional pulse. Some make it onto the official soundtrack; others never reach the final cut, yet still influence the creative process, helping define the atmosphere and emotional core of his work.
Product information
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