{"title":"Ordering This Week","description":"\u003cp\u003eUpdated every Wednesday evening, based on what we are due to be Pre Ordering this week from the UK \u0026amp; EU record labels.\u003cbr\u003e\u003cbr\u003eOrder items while they are on this page to guarantee for release date.\u003c\/p\u003e","products":[{"product_id":"violent-vira-lover-of-a-ghost","title":"Violent Vira - Lover of a Ghost","description":"\u003cp\u003eViolent Vira is a rising force in alternative rock and metal—a Mexican-American singer, songwriter, and powerhouse vocalist whose sound marries raw emotion with brooding intensity.\u003cbr\u003eHailing from Boise, Idaho, her music channels themes of grief, inner conflict, religion, identity, abandonment, and the delicate boundary between sanity and obsession.\u003cbr\u003eMom +Pop are excited to release her debut full-length album Lover Of A Ghost.\u003cbr\u003eIn vocal tone she’s been compared to Hayley Williams (Paramore) and Morgan Lander (Kittie), both for her soaring intensity and the way her softer moments contrast with her fiercest.\u003cbr\u003eOverall, Violent Vira stands out as an artist who doesn’t just perform emotion—she embodies it, and invites listeners into its darkest corners.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLover of a Ghost Deluxe CD is a collector’s edition presented in a premium package featuring a double disc set with full artwork and an expanded booklet. 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Manufactured using 100% recycled PET (rPET) rather than traditional PVC, the record is fully recyclable and produced via an energy-efficient injection moulding process - a significant shift in record manufacturing. Packaging follows the same approach, with sleeves made from 100% recycled, FSC®-certified paper stock and outer slipcases produced from recycled polyethylene.\u003c\/p\u003e","brand":"Play It Again Sam","offers":[{"title":"EcoSonic Red White \u0026 Blue Random Colour 12\"","offer_id":56641511620988,"sku":"HJM-09034","price":26.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/9022\/0535\/files\/b0d25fa145f8323b750e804635c530d4.jpg?v=1776333132"},{"product_id":"everlast-embers-to-ashes","title":"EVERLAST - EMBERS TO ASHES","description":"\u003cp\u003e\u003cspan\u003eEverlast returns with Embers to Ashes, his eighth album and first in eight years; a raw, reflective collection that captures a life shaped by hard-won lessons, sudden turns, and moments of both triumph and loss. Produced by Yelawolf, mixed by Chris Lord-Alge and recorded in Nashville with contributions from songwriter David Ray (Jelly Roll, Teddy Swims), the 2026 release finds him at his most unflinching and emotionally direct.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEverlast is familiar. It’s not just that he recorded one of the biggest breakout hip-hop hits in history — 1992’s “Jump Around” with House of Pain — or that he made the empathy anthem “What It’s Like” from his triple-Platinum Whitey Ford Sings the Blues. It’s not the GRAMMY nominations or his win with Santana. It’s the way he redefined rap’s relationship with blues and rock, and the humanity he’s always brought to that sound. For more than three decades, he has documented life as he’s lived it — from humbling highs to devastating lows — and on Embers to Ashes, that perspective cuts deeper than ever.\u003c\/span\u003e\u003c\/p\u003e","brand":"MARTYR INC RECORDS","offers":[{"title":"INDIES Clear Smoke 2LP","offer_id":56674442740092,"sku":"HJM-09242","price":31.0,"currency_code":"GBP","in_stock":true},{"title":"BLACK 2LP","offer_id":56674442772860,"sku":"HJM-09243","price":31.0,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":56674449752444,"sku":"HJM-09244","price":14.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0633\/9022\/0535\/files\/96368efacc0e69867e8dc8fcdbc6be8c.png?v=1777034759"},{"product_id":"natalie-imbruglia-algorithm","title":"Natalie Imbruglia - Algorithm","description":"\u003cp\u003eNatalie Imbruglia is known to millions as the star behind the global hit ‘Torn’ which remains one of the defining songs of the nineties. It started a phenomenal run of success which has included two BRIT Awards, three Grammy nominations, a Silver Clef, eight ARIA Awards, seven million sales of her debut album ‘Left of the Middle’, and a #1 for ‘Counting Down The Days’. Recent times have seen her back in the spotlight, having performed alongside Olivia Rodrigo. It’s the perfect time for a new chapter, which starts with the news that she will release her new album ‘Algorithm’\u003c\/p\u003e\n\u003cp\u003e‘Algorithm’ finds Natalie Imbruglia in a new era: one of empowerment, freedom and creative fulfillment. The Australian-British pop icon’s first album in five years is a tour de force, a deeply personal record to remind us precisely why we fell in love with her in the first place. It comes as the cultural zeitgeist shifts and pop edges back towards the dancefloor, its direction feeling in tune with the sophisticated pop, disco and house leanings of Robyn.\u003c\/p\u003e\n\u003cp\u003eNatalie says, “On this record I chose to work with collaborators who also co-produce so from start to finish we were all so invested in every song. I really hope that people get as much joy from listening to this record as we did making it. And that they dance their arses off.\u003c\/p\u003e\n\u003cp\u003eThis was by far the most fun I’ve ever had making a record. It also happened to coincide with the most challenging time I’ve had with my mental health. This is the beauty of music and artistic expression. You can take something dark and turn it into light.”\u003c\/p\u003e\n\u003cp\u003eThe single ‘Upside Down’ opens with a flourish of bright synths and energetic percussion, with Natalie’s distinctive lilt floating above. As she reaches the chorus, it grows brighter – kaleidoscopic, shimmering – and we hear her relinquishing control, and ultimately finding clarity in a song which came from a feeling of shame surrounding her mental health.\u003c\/p\u003e\n\u003cp\u003eShe explains, “The inability to control my emotions, wrestling with fight or flight mode, was awful, and I was reaching this critical point with it. In a way, the song is about how sheer willpower – trying to force your way out of something – doesn’t always work. You need tools, support. 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As those in the room spoke of their shared experience that David was still among them - directing from beyond - Alicia became ever more aware that she was being encouraged to create an album from this space of eternal unconditional love. ‘Use my name,’ David whispered. 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Four albums followed between 2004 and 2011, along with a host of unforgettable songs: “Black \u0026amp; White Eyes”, “Obstacles”, “To All Of You” or “I Might Float” left their mark on an entire generation, racking up nearly 200 million streams and 100,000 physical sales. Drawing equally from the songwriting of the 60s, the creativity of the 70s and the modern synthetic era, Syd Matters has developed a unique musical universe, building a loyal and ever-growing audience over the years. On stage, accompanied by his band, audiences recall intense concerts where the artist and his musicians deliver performances that were at once epic and intimate. Lush and spectacular on stage, their music never lost its center of gravity, gaining even in depth. Syd Matters toured France and Europe (England, Germany, Scandinavia...) for nearly ten years, as well as in the United States and Latin America. In 2011, the tour for his album Brother Ocean culminated in Paris at the mythical venue l’Olympia. Jonathan Morali then took a step back from the spotlight but remained just as prolific, writing for film, theater, radio, and television and collaborating over the years with directors such Éric Rochant, Rémi Chayé, Thomas Litli, Patrick Mille, and Mélanie Laurent to name but a few. When scoring for films, the musician gives free rein to his desires and intuitions. He works with the very fabric of sounds and their underlying emotions, as if freed from the constraints imposed by the song format. Between 2015 and 2019, he also composed the soundtracks for the remarkable video games Life Is Strange and Life Is Strange 2, which were massive global hits. Several Syd Matters tracks appeared in the game, and the success was such that it revived the band’s career, introducing their music to a new audience. After an extended hiatus, Syd Matters will make a major comeback with a new album - their fifth - set for release in September 2026 on Créature - also home to Flora Fishbach and Chassol. 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Following up 2023’s Champions (Deluxe Edition), the new album is both a return to form and a statement of purpose for the band, their first collection of new music since 2020’s Kingdom Illusion. Across nearly a dozen tracks the band explores the malaise that’s settled over the United States in recent years, redefining for themselves what it means to be an American in these changing times.\u003c\/p\u003e\n\u003cp\u003eThe album was produced by the band and recorded over the course of three years at Brothers Chinese Recording in Oakland, CA by engineer Ian Pellici (Deerhoof, 31 Knots). Pellici split mixing duties with Grammy winning engineer Cian Riordan (Paul McCartney, Sleater Kinney, Lana Del Rey) and the album was mastered by Jack Kennedy (St. Vincent). Spanning fuzzy 70’s rock, soul, proto-punk, afro-beat, world music, folk, and more–the album features special guest appearances from Kelly McFarling, Kendra McKinley, Angelica Rockne, and Trevor Bahnson. In addition to the core band of singer-songwriter Graham Patzer, Will Lawrence, Nick Cobbett, Charles “Steel” Lloyd, and Jeremy “Glass” Lyon, the album also includes contributions from Dan Schwartz, Matt Goff, Lewis Patzner, Chris Hoogewerff, and Matt Tackiff.\u003c\/p\u003e\n\u003cp\u003eAlbum opener “Reaching” sets the tone with lyrics that reassess the unrealistic and unattainable values of the American Dream, featuring guest vocals by Kendra McKinley. Lead single “The Dregs” contrasts afro-beat inspired horns, funky drums, and soulful vocals with a cautionary tale about the harm that unfettered capitalism can inflict upon the human spirit. “USME”, one of a handful of protest songs on the album, is a call for liberty and equality, freedom, food and water, shelter, and a chance to breathe for all, as Patzner imagines a world without borders, united by love and empathy, while “Lightning Love” features soaring duet vocals from Kelly McFarling and was inspired by the Standing Rock Protest movement.\u003c\/p\u003e\n\u003cp\u003eSide C kicks off with “Ram’s Head”, which originally appeared on the band’s self titled debut album in 2011 but has been reimagined over the years since guitar\/sitar player Charles Lloyd joined the band, eventually becoming a live staple and something of a signature track. This re-recording represents the definitive version of the song, bringing the history of the band full circle with its cathartic doom-folk arrangement. Single “Black River” showcases the punk \u0026amp; metal influenced side of the band, featuring the drumming of Dan Schwartz. Meanwhile, the remaining three tracks feature an assortment of special guests - “Osiris” features vocals by Angelica Rockne, El Dorado features vocals by Kendra McKinley, and “Jack of Spades” features vocals by Trevor Bahnson.\u003c\/p\u003e\n\u003cp\u003eHighly anticipated new double album from Whiskerman in a deluxe gatefold package. 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Beautiful string arrangements, intimate confessionals, and rollicking hymns for the lost and determined, here is an artist who’s been on the road consistently since early childhood - with persistence and commitment to her craft clearly in no short supply. Porchlight offers tunes that are warm and steady, relatable nostalgia twinged with the ache of needing to move on. The result aptly links the uncertainty of letting go and simultaneous resolve of someone faced with no other choice. A destiny perhaps sealed from an early age, as Anderson began her touring career in a six-person family bluegrass band from the age of nine. Now nearly a decade into her own music career, she’s seen stages warming up for Sierra Ferrell, Watchhouse and Molly Tuttle. Although change often comes en masse, it is surreal and jarring to start again. Paige Anderson offers Two Runner as solace and escape for those needing to reset, with sage comfort and kindness from her own accounts, the way all great songwriters do. 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Seabird’s third record in as many years for Lame-O Records deals in mortality and reverence for the innately human, piecing her troubadour-ish folk to a grungy rock sentimentality. 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Velocity Girl, blessed with multiple gifted songwriters, particularly knew how to merge euphoric pop hooks with waves of noisy bliss and lovelorn melancholy. This new compilation \"1989-1992\" covers the band's pre-Sub Pop years and shows that their skill with a tune was there from the beginning, across several line-up changes and numerous early releases. The all-time classic \"Forgotten Favorite\" is included, as is their debut single \"I Don't Care If You Go,\" featuring original vocalist Bridget Cross (later of Unrest). There are also crucial split single and compilation contributions, a few choice covers (Beat Happening, The Jam) and even a pair of unreleased tunes. Newly remastered and featuring extensive liner notes by DC scene scholar John R. 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This live album has only been available on CD pressings originally made 20 years ago, both as a single concert \/ as part of the Japan only 6-CD Box Set Deutschland Tournee 1976. 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